[Intro]
(You know what I’m really into, but I-
Got ways, like a pistol, ’cause I-
Know the pistol doesn’t run to when I-)
Look, look, look
(Great John on the beat by the way)
Chorus
The chorus repeats the line “That’s how I do,” emphasizing Sheff G’s routine confidence. The playful “hachoo” metaphor is used to express his act of “blessing” the women he encounters, as if his success or presence is contagious. He uses this repetition to underscore the ease with which he handles life.
[Chorus]
Look, yeah
That’s how I do (That’s how I do)
That’s how I get (That’s how I get)
That’s how I do (That’s how I do)
That’s how I-, yeah
Just bless her, hachoo, ooh
I’ma just bless her, hachoo, ooh, look
Verse 1
In this verse, Sheff G reflects on his relationships with women. He suggests that women who associate with him are “winners,” a metaphor for how being in his presence elevates their status. The lines “Many different flavors, how could I choose?” illustrate the abundance of choices he feels he has, further reinforcing his lifestyle of luxury. His mention of Chanel items indicates materialism as part of this life, and the line about a threesome introduces a casual, carefree approach to relationships.
[Verse]
Baby girl, you with the winners, how could you lose?
Like her, like her, too
Many different flavors, how could I choose?
I’ve been thinking a lot about you
Tryna eat, but I don’t want food
Tryna beef, but not no tool
Chanel, her purse, Chanel, her shoes, mmh, huh
You know what I’m really into, but I-
Gotta erase justw like a pencil, ’cause I-
Know thе pussy just a rental-
When im just the onе it’s gettin’ lent to, huh
I’m the one she want to vent to, we just
Had a threesome, 4A.M
So much fun, was accidental
She said “We could do it all again”, huh
[Chorus]
That’s how I do, that’s how I do
That’s how I get, that’s how I get
That’s how I do, that’s how I do
That’s how I-, uh
Just bless her, hachoo, ooh
I’ma just bless her, hachoo, ooh, look
Verse 2
Sheff G continues to focus on his romantic life, showing a deeper connection with one particular woman. The line “You the one I’m really into” suggests a preference, though it’s juxtaposed with playful remarks like “Movin’ single like a Pringle.” This verse builds on the themes of indulgence and materialism, with references to luxury cars and nonchalant living.
[Verse 2]
Baby, come and flex with me
Don’t forget the Sheff with G
Prettier next to me, look, look
Baby, come and drive the V
Going til it’s next to E
Baby, this a push, no key, uh, look, look
You know what I’m really into, uh, look, huh
You the one I’m really into, why you
Movin’ single like a Pringle, uh
You the one I’m really into, uh, look, I said
You the one I’m really into, baby
Lemme show you what I’m into
Technical an*lysis
The song has a straightforward structure, with a catchy chorus repeated between verses. The production, led by Great John, features a minimalist beat that allows Sheff G’s voice to dominate. The instrumental is laid-back, with a rhythmic flow that mirrors his relaxed confidence. The repetitive nature of the chorus makes it memorable, while the verses offer more narrative and character.
[Chorus]
Look, yeah
That’s how I do (That’s how I do)
That’s how I get (That’s how I get)
That’s how I do (That’s how I do)
That’s how I-, yeah
Just bless her, hachoo, ooh
I’ma just bless her, hachoo, ooh
[Outro]
Hachoo, ooh
(Hachoo, ooh)